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Anti-Academy at the piano. Lecture by Yuri Dikij

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Paradoxes of piano performance.

Of the many paradoxes in art, one of the most interesting is the unprecedented quantitative growth in the twenty-first century of excellent musicians of various generations, including geeks (almost from a carriage), who delight with their skill. What to do with the opinions of prominent contemporary musicians about the "dead ends" in the performing arts?

The historical “dialogue” of the XX and XXI centuries in piano performance is just beginning in the approaches to the music of the European professional tradition from Bach to the present, with the newest possibilities of mass media, including the live sound of the piano Urban Music Hall.

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